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types of minor characters

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These characters do not develop dramatically to the extent the protagonist does, but perform more limited roles to help advance the story. There are three ways to use this character: You’d best have a fresh spin on things to avoid being the subject of eye-rolling by readers. The bully is a goad, jabbing at an unformed hero while they are still weak. In any case, the custodian of an heirloom should explain enough of what they know for the protagonist to get the appropriate use from the object, and no more. Often, these characters serve no purpose other than to move the story along, so who they are as people is of no significance to the plot. Nora accidentally gave the cabby a $20 bill for a $5 ride and then was too shy to ask for change. These characters require very little as far as physical descriptions are concerned. I've broken these posts into three sections: Character Description, Types of Characters, and Diving Deeper Into Character Development. A minor character can, however, help your protagonist make a decision, have an epiphany, or suddenly remember something important which changes their course of action. This can be used to ram a square peg of world-building trivia into a not-quite-square hole, as the irrepressible songster blathers on about their worldly knowledge. The protagonist is the central figure around whom the story revolves, like Katniss Everdean in The Hunger Games. A dozen shady deals a day take place beneath your nose. It might cost money, an opportunity for vengeance, or simply be repayment for enacting their escape (assuming the protagonist was involved, on-camera or not). Different types of characters fulfill different roles in the narrative process, and with a little bit of analysis, you can usually detect some or all of the types below. How much is real? Surprised by what is predicted by the fortune teller, Oedipus shows a very upset reaction. Terms in this set (6) dynamic character. Protagonist The story is shaped around the protagonist. How a protagonist treats one can say a lot about their thoughts on equality, courtesy, and plain old humanity. In some instances, they may be more parts of the setting than characters. You can "toss a coin to your author" to buy me a coffee (or two!) Minor characters should add spice to your novel, not dull it down. (I’m aware of the math used above; 100% isn’t sufficient to contain the larger-than-life personality of a treasure hunter). by J.S. The barfly isn’t your protagonist’s secret contact or some nefarious agent. Their presence in a story gives an indication of the state of geopolitical relations in the world, and can serve to introduce bit and pieces of a variety of cultures. You’ve even got a sidekick. You’ve witnessed more brawls than a gladiator trainer. But who inhabits the rest of the world? The barfly spends all day drinking. Example: In a story about a friendly teacher named Sandra Smith, Louis Drud is a janitor in her building.Louis is always tired and grumpy whenever Sandra runs across him and says hello. In this case, they should be more noticeable. The reader needs to know who to root for and who to hate . Those types of characters, with some kind of commonality, also understand each other more easily than putting two largely diverse characters suddenly together. Here are the first 10. A librarian can also be a useful means to pass knowledge to both the protagonist and the reader. An antagonist is a character who is in direct opposition to the protagonist. They come, they deliver news to the protagonist, and they disappear. 10 – Custodian of an Heirloom. Whether it be a galleon or a starship, if a story spans vast distances, the protagonist is going to travel. 3. How your protagonist receives the former prisoner’s aid is up to you. Writers play characters off of one another to build drama and create conflict in a story. Their attire, their mannerisms, their occupation: all can attest to elements unique to your world. Well-conceived minor characters add an extra spark that distinguishes the best fiction from everything else.-James Scott Bell. In fiction, flat characters are minor characters who do not undergo substantial change or growth in the course of a story. There was a farmer at some point that raised him (or her). Thus, they suffer along with the the fate of kingdoms, riding good times and bad. You can conceal nearly any back story in a tavernkeeper’s past, or simply use them as a fixture in a tavern. A ship’s captain can also be a source of minor conflicts, since the captain’s goal may diverge from the protagonist’s once things get dangerous. If they were nefarious, they’d be hard pressed to gain the social connections to both find out about lost treasures or sell them once found. each month on Patreon. Oh tavernkeeper, what would we ever do without you? The motivation can be complex, or as simple as the protagonist being an easy target; it doesn’t matter. His job is tending horses, from saddling them for riding to mucking out their stalls. Rumors and gossip flow through taverns like canals cut for just that purpose. This type of character is used as filler for your story, a character that exists but doesn’t matter to the plot. Types of Characters 2. He tells all your tales This is about the bottom rung of society, along with penniless drunkards and madmen (most, but not all, fantasy worlds have little in the way of mental health care). You can also use them as a mirror held up to your protagonist. each month on Patreon. You’ve got your heroes and your villains. Here are a few samples: 1. This is a one-singer toolbox filled with world-building potential. Whether they simply seek to import goods without paying tariffs or they traffic in contraband, the motive is always money. Flat Character - a character who reveals only one, maybe two, personality traits in a story or novel, and the trait(s) do not change. It’s generally best to keep the prophet’s appearance in the narrative brief. Their attire, their mannerisms, their occupation: all can attest to elements unique to your world. Not only are they willing to tell those tales, but it might be a challenge to stop them telling you all about their travels and adventures. The “farmboy that saves the world” didn’t grow on a tree somewhere. Want Insider Exclusives? This is a good characters for stories with themes of social justice and dystopian societies. They are meeting places, crossroads, and hangouts for folk at various points along the social spectrum. $ They’re not the ideal vehicles for conveying concepts of the world at large, but they are good tone-setters for the local scene. ... Minor characters serve to complement the major characters and help move the plot events forward. So what exactly do these mean? Whether physically or emotionally, the bully will inflict any pain they can manage on your protagonist. Looking to support my writing? This is great for introducing a bit of background for the protagonist, as Ma and Pa embarrass them with reminders of an inglorious youth. 2. While your protagonist has gone off to change the world, make their fortune, or just shake the dust of the fields off their boots, the parents they left behind still sees the child they raised. Pete checked at the desk for his messages. Answer them too easily, and you can slip into cliche. Visions of the future are always tricky, both for the writer and the characters in the story. A traveling troubadour can have stories and songs collected from across the world. If they were respectable, they’d be collectors or archaeologists. Email Insiders club members get: the J.S. Traveling merchants make their money in the cracks between cultures. Foils are used in all types of literature. The retired hero makes for a great mentor for the protagonist. Elaborate, vindictive, cold-blooded plots for vengeance can make for compelling minor characters. World-building is as much about people and cultures as it is about geography and magic. Primary Characters A primary character is a main character in literature. A criminal by definition, smugglers circumvent trade laws and make a profit in the margins between (legal) supply and demand. The first example I could think of was Kelsi from High School Musical. The retired hero probably has a lot more practical advice than most other minor characters, though it can be fun for the protagonist not to follow it. 50 – Stable Boy. Posted on June 7, 2014 June 10, 2014 by Brian Jedinak. If you're writing in the first person and choosing to tell your story through a narrator, that will typically become your protagonis… Who wanted to come tag along How they interact with the minor characters tells you a lot about their personality, their beliefs, their prejudices. The important things to remember are bitterness toward their former captors and an inside knowledge from a unique perspective. A character that exhibits opposite or conflicting traits to another character is called a foil. Their actions deliberately hinder the protagonist from achieving her goal. $ • Thischaracterusuallycreatesaconflictfortheprotagonist. The farmer is the stand-in for all the common, easily oppressed people in a feudal society. Urchins learn a lot by being around a wide variety of people, often while being totally ignored. But who inhabits the rest of the world? 20 Of The Greatest Minor Characters In Modern Movies. They can be excused for knowing nearly anything; even if lords and ladies don’t drink in their establishment, their servants surely do. In contrast to a secondary character, a minor character will play a very small role in the hero’s quest. You can weave in subtle bits of back story through the bully’s taunts, disparaging the protagonist’s family, nationality, or physical traits – things that polite characters might not mention and which otherwise not fit smoothly into the narrative. Any widespread suffering in your world will be felt most keenly by the farmers. Minor characters can make or break a story. You know more tales than any bard, though you may not have the talent for recounting them. And the crowd he regales Messengers are most often a passing breeze through the narrative. How they interact with the minor characters tells you a lot about their personality, their beliefs, their prejudices. They can either be a great source of information or goods for the protagonist, or even light the spark that sets off a story. There are lower spots in society, but on a daily basis, this is about the lowest that someone of the upper class is likely to interact with. Start studying Six Types of Characters in Literature. At the end of a story, to bestow a reward. The investigator can be a means to convey all that is wrong with the accepted norms of that society. Smugglers operate as low-key a business as they can, but to keep out from under the scrutiny of authorities, they have to know a great deal about how the world (or at least their corner of it) works. World-building is as much about people and cultures as it is about geography and magic. You’ve even got a sidekick. Also, “a static and undeveloped character of two dimensions” (Knorr and Schell 165). He’s walked their path, if not exactly, then close enough for the protagonist to relate. I’ll outline fifty different minor characters you can use to make a world seem filled with people. Simply mentioning one distinguishable feature (such as a flamboyant wardrobe choice or a quirky tic) will suffice. There are three ways to use this character: At the beginning of a story, to give your protagonist the hook that sets off the adventure. Throughout the story, we will watch him or her (or them) face conflict that must be resolved and make key decisions that move the story forward. Morin | Sep 27, 2013 | Prose and Cons, Worldbuilding | 0 comments. Had such places as taverns never existed, writers surely would have had to create them. Foils and antagonists are two types of characters that serve very different functions. They may take payment for that information, often at the low cost of another round of drinks. How much is guesswork? learn about four types of characters: dynamic static round flat. Here are the next 10 minor character archetypes. They know who values something and who produces more of it than they can use. According to Forster, rounded characters must surprise us (and you as you write more about them). The purveyor of that travel doesn’t have to make an appearance, but it gives ample opportunity to give geography lessons if you do. Want Insider Exclusives? It’s quite possible for them to work together but have entirely incompatible end goals (which the former prisoner may pick up on and fail to mention to your protagonist until it’s conveniently too late). You can make this character work as an ally, but they’re better suited to an adversarial role. You can "toss a coin to your author" to buy me a coffee (or two!) They are essential to the plot of the literary work. Consider what a former prisoner might be willing to do to achieve such a goal, and how it might fit into your own plans for your protagonist. Protagonists are often heroic, like Katniss, but they don't have to be. You’ve been threatened, bribed, cheated, and bargained with. They are background; they are part of the milieu. It tells you that learning is gathered, and there is at least some small group devoted to curating knowledge. In the middle of a story, to give something that your protagonist needs Grouped in this way by character development, character types include the dynamic character, the round character, the static character, the stock character, and the symbolic character. The major characters are the small handful of principal players in your novel, the protagonist included. Fandom Apps Take your favorite fandoms with you and never miss a beat. Abusive – Characterised by the improper infliction of physical or psychological maltreatment … A treasure hunter can be the engine that drives a whole story. We must begin our study with the protagonist, or main character. Are they gifted by the gods or just cheap charlatans. Looking to support my writing? Major characters are rounded, multi-dimensional. As a writer, especially of fantasy, the tavernkeeper never gets old or stale. Most writers have an inherent understanding of how to categorize their characters based on classic, “

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